Guest Post: Alex Pinto on Improving Your Scene

This is the first "guest post" I've done on this blog; seems like something I could run with to help spread some ideas and outlooks from my fellow musicians. I met guitarist Alex Pinto during my first year at CalArts, and he is currently studying in India on a Fullbright scholarship. Here he writes some clear, practical suggestions for ways that both artists and fans can help improve their jazz scene. 
- MM

Jazz is in a great place. I’ll love it forever, kind of like Metallica. I don’t care what people say - the noodling IS where it’s at, getting lost in a free form is invigorating and the the music has produced some of the greatest composers and improvisers from the past 100 years.
Can it improve or change? Sure! Some gentle suggestions:

1) Have opening acts
I can’t remember the last time I went to see a jazz show at a hall or festival where there was an opening act. I don’t think I’ve ever seen that happen. Having opening acts would be a great way to introduce that next wave of talent that people lament doesn’t exist. It’s a way for younger acts to interact with the mega stars of today and is a simple way to infuse some energy into the community. This is a tried and true format in pretty much every other genre of music. Jazz can try it too.

2) Skew younger
Young people are inspired by other young people doing cool things. Lots of people get into playing in band because they saw their friends playing in a band or people like them playing in a band. It wouldn’t hurt to have younger acts get more exposure at the big festivals (maybe opening for them - see point 1) and inspire a new generation of musicians and listeners. Let young people have some ownership in where the music is going too, by getting them involved in its programming.

3) Can it be cheaper?
Lots of shows are pretty expensive. How about some cheaper alternatives?

4) Go local
There is jazz happening outside of NYC. It seems daunting at times to be a jazz artist not living there. Reviews will at times even suggest that such and such band is the best NYC sounding band in such and such town. Every town can have its own sound. There is great music being made in Seattle, LA, Montreal, Delhi and beyond. There are writers and photographers and blogs that can support and document the great music made in those places. Audiences will have a more earnest and easier time connecting with talent that is from their area. Food is local, art is local. Jazz can go local too.

5) More video
Youtube is, for better or for worse, where music discover is happening. Let’s get some more cool videos out there! Remember this (embedded below) -http://vimeo.com/46040485 THAT WAS AWESOME. Let’s have more. Even though that was on vimeo, it still used video to promote the music and get listeners excited.

Bashing jazz is an easy way out. Having constructive solutions and following through on them is the hard part. But these little adjustments, and what other come up with, can make a huge difference.

MEHLIANA featuring Brad Mehldau and Mark Guiliana 06.06.12 Stone, NYC from Brad Mehldau on Vimeo. Video by Alex Chaloff.

Review: Dave Binney 4tet at the Blue Whale

New York-based jazz musicians pass through the LA area from time to time, and I always try to catch a good show when I can. I never pass up an opportunity, however, to see alto saxophonist David Binney. I have been a fan of his playing and compositions for several years now, and have had the opportunity to hear him perform a few times. A relentless explorer and veritable bandleader, Binney builds his set from a long list of his original compositions over the last decade (sometimes more), and unleashes his band upon the material. With a freshness and freedom often only heard in a composition's first performances, Binney and his bandmates breathe new life into the music each time, taking risks, surrendering at times, relentless at others. Binney brought a tight quartet to the Blue Whale on Saturday night, demonstrating once more the malleability of his music and the artistry of the musicians he chooses to play with.

Dave Binney brought from New York pianist John Escreet and electric bassist Tim LeFebvre, completing the quartet with LA's own Louis Cole on drums. If you are unfamiliar with Louis's music, I would highly recommend checking out some of his videos on Youtube. His style and influence was apparent throughout the night, his layered, often aggressive playing splashing against Tim LeFebvre's inventive bass. The grooves were at once tight and loose, a sublime push-and-pull against Binney's and Escreet's improvisations. Escreet demonstrated how an acoustic piano can not only function, but excel in a sound setting that would otherwise be regarded as "electric"; employing two-handed, percussive techniques, Escreet often built material not with melodies, but with rhythmic and tonal shapes and gestures.

Binney, as expected, lit the place on fire. With music that intense, it is difficult as an improviser to find the proper pacing; many soloists dive too quickly into "loud and fast and lots". Binney is a patient and thoughtful soloist in any context, but his composition-centric, "serving the big picture" abilities were highlighted at the Blue Whale as he maintained a gradual rise in intensity in each improvisation, engaging both his bandmates and the audience from start to finish. Binney's experience as a composer is also evident in his strength of idea, or motive, when improvising. Pitches alone are not considered: sound as a whole is introduced and developed.

This was not a show of technical prowess (although it was definitely apparent), but one of textural, rhythmic, and gestural exploration. Nights like Saturday remind us all that there is still plenty of new music being made that holds deep roots in the jazz tradition --- not the outward, obvious tradition of playing swing and standards, but the tradition of "live" and "living" music. As the inimitable Eric Dolphy said:

When you hear music, after it's over, it's gone, in the air. You can never capture it again.

Musicians like Binney, Escreet, LeFebvre, and Cole continue the catch-and-release of this music we so dearly love. It was beautiful to be a part of a packed house enjoying such a fresh night of music, and I believe it is a testament that we'd all like to see a little more of Dave Binney and his groups on the old West Coast. Thanks for a spectacular show, guys.

FORMATION

Great news people!

I'm making leaps and bounds toward releasing my trio album. First of all, I named it: FORMATION. The artwork is being finished up and looks incredible so far, I'll be posting a preview of the cover very soon, so watch for it.

Secondly, I'm honored and excited to announce that our CD release party will take place at the Blue Whale on Thursday, February 17th. The Blue Whale is quickly becoming "the place" for great live jazz; classy but laid-back atmosphere, nice bar with awesome bartenders, resident baby grand piano and drumkit, no pesky food or drink minimums, and a true focus on the music. It's a no-hassle spot where people go to listen, and they continue to host tons of killer groups from LA and beyond. I'm grateful that my first opportunity to play at the Blue Whale will be for such a momentous occasion in my life.

More updates, previews, and details soon, make sure to check back often. Mark those calendars for February 17th!

Ludes & Lullabies

Trio gig tomorrow night at the Ludes and Lullabies acoustic music series. Check it out on Facebook. I was checking out the Garter's website, and this place has a great look, I may be there a bit early for a drink. The set is late, I know, but no cover and you know what's even better? Seeing my trio.

Me - Saxes/Bass Clarinet, Ben Shepherd - Bass, Cameron Hicks - Drums.

The Garter
2536 Lincoln Blvd.
Venice, CA (map)

Monday, November 15th
11pm
NO COVER
...but it is a bar, so 21+ only, sorry

This Weekend

I've got two gigs this weekend that I'd like to share.

First, I'm playing with drummer Alex Smith for his official CD release concert. The concert will feature Alex, myself, Tim Fischer (guitar), Paul Krueger (piano), and Emilio Terranova in various configurations from trio to quintet. You can expect a mixture of standards, arrangements, and originals, and a lot of swinging.

Saturday, October 16th
6-7:30pm
$10 suggested donation

Trinity Lutheran Church
4783 W 130th Street (Corner of Inglewood and 130th)
Hawthorne, CA 90250
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Second, I am jamming a short set with Orkestar MÉZÉ at the Bulgarian Festival in Griffith Park on Sunday. Free admission, free parking, kid friendly, and lots of great Bulgarian food, music, and culture. The festival runs 10:30am-5:30pm, we play at 1:30 for about 45 minutes. Come by if you are around and want to get a little Bulgaria in your life!

Orkestar MÉZÉ @ BG Fest
Sunday, October 17th
1:30-2:15pm (Festival from 10:30am-5:30pm)
Free admission/parking

Griffith Park (Crystal Springs Picnic Area)
4730 Crystal Springs Dr
Los Angeles, CA 90027


Hope to play for you this weekend!

Show at CAP, 10/1/10

I wanted to let you all know about an exciting new show on October 1st that my trio (Ben Shepherd, bass; Cameron Hicks, drums) will be taking part in. This will be the first show put on by Imagine Nation Entertainment, a new entertainment company that is trying to, in the words of my contact Kelly, "put on shows that eliminate everything that sucks about shows." Following this philosophy, it will be at the Complete Actor's Place in Sherman Oaks, an interesting venue that doesn't follow the typical club or bar formula. For a $20 ticket ($25 at the door), patrons enjoy a 3-hour show of non-stop entertainment, music, drama, and comedy, facilitated by the next act setting up to the side while the others are performing. Included in that ticket price is an open bar for an hour and a half, and some snacks and finger foods; for what you would pay for a drink/food minimum at most "high-end" LA clubs, you get the whole deal.

A website with more detailed info is to launch soon, but you can preview it here for now, and follow on facebook here. If you want to buy tickets, contact me and I will make sure to get them to you.

Imagine Nation Entertainment presents: The IN Inaugural Show
Friday, October 1st, 8-11pm
Open Bar 7:30-9pm
$20 presale ($25 at the door)

Complete Actor's Place
13752 Ventura Blvd
Sherman Oaks, CA 91423-3067
(818) 990-2001

Listening and Looking Ahead

Good afternoon, music fans.

I'm pleased to be listening to freshly mixed and mastered tracks of the Michael Mull Trio at home right now. Over the next week, I'll be listening to them on as many sound systems as I can, to note any last adjustments that need to be made. While I do this, I'll also be working on an effective order for the songs to appear on the album, as well as naming one composition we recorded that is currently untitled.

I have to say, I am incredibly excited to move forward on this project. Engineer John Aspinall has done an impressive job on both the mixing and mastering of this material, and I am going to be very proud to officially debut my playing and writing, as well as showcase my band and John's talents, with this project. The recordings really sound and feel like a live performance; there is a rawness and front-loaded energy apparent in each track, and I feel it is representative of the trio's group sound. It sounds real.

Next up, we will be shooting photos for use on the album and other media, and I'll be dropping the recordings off for artist Derek Schultz to start perusing and developing some album artwork. More updates as they come...

Tim Fischer Quartet in Santa Barbara 9/9/10

Sorry about the late notice folks, I've been busy with all manner of different activities the past week. I'm playing tomorrow night in Muddy Waters Cafe for the Santa Barbara New Music Series hosted by Colter Frazier. I'm performing in a group led by my good friend Tim Fischer, playing all his original music in a very spacious, agile group made up of Tim on guitar, myself on alto sax, Emilio Terranova on bass, and Andrew Lessman on drums. Here's a description of the group via Tim that I think nails it down pretty well:

"The Tim Fischer Quartet's sound is heavily dictated by the improvisations and interpretations of its members yet remains unified by Tim's original compositions, which are influenced as much by classical and world music as they are by the traditional jazz practice. The group's goal is to convert the standard jazz instrumentation of horn + rhythm section into a modern chamber group, where each member is allowed equal billing and contribution in shaping every performance."

Tim Fischer Quartet at Santa Barbara New Music Series
9/9/10
$8 for both groups (8pm Motoko Honda, 9pm Tim Fischer Quartet)
Muddy Waters Cafe

508 E. Haley St.

Santa Barbara, CA

New Tune

Happy Thursday...

Started writing a new tune for my trio yesterday and actually finished it today. It's a happy, grooving, and slightly quirky tune with a lot of interesting rhythmic points. I am calling it "Rompus In The Pampas" for my dog Booner (who lives with my parents in Los Osos, CA), who loves to scratch his back by running around, over, and often through the pampas grass on his walks. The trio is resuming rehearsals tomorrow afternoon, so I'll have the opportunity to hear it right away.

Otherwise, I've been enjoying listening to some "Mingus Moves" this afternoon. I came across an amazing video of the Charles Mingus quintet in the studio with Eric Dolphy (flute and bass clarinet), Clifford Jordan (tenor sax), Jaki Byard (piano), and Dannie Richmond (drums) performing "Meditations On Integration". This piece is a superb example of Mingus' resourcefulness as a composer/orchestrator. With a pretty standard quintet line up (two horns and a rhythm section), Mingus acheives an enormous range of textures within this masterfully crafted piece. Not to mention Eric Dolphy is on fire...

The piece spans two videos:
Charles Mingus - Meditations On Integration (Part 1)
Charles Mingus - Meditations On Integration (Part 2)

Enjoy!

Fatum Brothers Jazz Orchestra Tour Dates

Here's a rough tour date list for the tour I embark on in a matter of days. It will be with the Fatum Brothers Jazz Orchestra from Chicago, and I'm very excited to play with these great young players and hit some cool venues I've never played. If you are in town and ready for some big-band (or if you're not ready, whatever), come see us on tour!

Aug. 5th: Dizzy's Jazz Club (San Diego) --- 8pm, $15 ($10 students)
Aug. 6th: Day off
Aug. 7th: Travel and rehearsal in LA
Aug. 8th: Thousand Oaks Gardens of the World Summer Concert Series with guest artist Ira Nepus (Thousand Oaks) 5pm-8pm
Aug. 9th: Catalina's Jazz Club (LA) with BOB MINTZER (Grammy Award Winning Saxophonist & Composer) 8pm
Aug. 10th: SOHO Music Club (Santa Barbara)
Aug. 11th: Travel Day
Aug. 12th: NPR Radio Interview & In Studio Performance (Sacramento)
Aug. 13th: 24th Street Theatre CD Release Party (Sacramento)
Aug. 14th: San Jose Jazz Festival

I'll update the schedule as I get more specific details, and if you're on facebook, follow the tour here.

August

Gearing up for some fun times in August...

First, I'd like to thank the audience and the people at Liquid Zoo for a great time last weekend! I had a blast playing with Brandon Sherman, Derek Beach and John Shebalin, and the audience was one of the more receptive groups in recent memory. I feel that the average person is quite open to different and new types of music, but it is often a question of exposure to said styles. I hope to get back to the Liquid Zoo in Van Nuys soon and continue to spread the word of creative music.

If you didn't catch our set at Liquid Zoo (or couldn't get enough), the same quartet will be playing this Sunday evening, August 1st at the last Jazz and Improvisational Music Series at 2nd Street Jazz in Little Tokyo. Three bands from 9-midnight, one charge of $10 ($5 for a drink ticket, and $5 directly to the bands). Here is the info:

2nd Street Jazz
366 E 2nd Street
Los Angeles, CA 90012
Sunday, August 1st
9pm-12am
$10 gets you admission and a drink

In other news, mixing has been going fantastic for the upcoming trio album. Engineer John Aspinall and I are making speedy progress each meeting, and the sounds are incredible! The sound is pure, clean and raw, and places you right in front of the trio. More news as the project develops.

I will be travelling up and down California for the first two weeks of August with the Fatum Brothers Jazz Orchestra on their CD release tour. We are starting in San Diego at Dizzy's and going as far north as Sacramento, but Los Angelinos should keep their eyes open for our gig at Catalina Bar and Grill, as it will feature tenor legend Bob Mintzer sitting in! I will post all of the dates and venues here very soon.

Lastly, I am playing with the Alex Smith trio at the farmers market in Torrance this Saturday morning from 9am-1pm, for those in the south bay area. This is a special gig as one set will feature a brand new duo project my wife Ami Mull has put together with guitarist Joel Mankey. Alex will sit in on percussion on a few tunes, and they are gearing up for a performance at Cafe Metropol later in August. Check out some of their tunes HERE.

Two Gigs This Week

Good afternoon! I wanted to let you all know about a couple of gigs this week.

Friday night (7/23) I am playing a solo saxophone set 7-9pm at the Novel Cafe in Koreatown. It is a "trial gig" of sorts for me, and hopefully will turn into a weekly gig of either solo saxophone, guitar/saxophone duo, or possibly trio playing. If you would like to come out, the food looks tasty and pretty reasonably priced, as well as a full bar and desserts/coffee for later crowds.

The Novel Cafe
3760 Wilshire Blvd.
Los Angeles, CA 90010
7-9pm

Sunday night (7/25) at 8:30pm, you can find me at the Liquid Zoo bar in Van Nuys in the company of a new assemblage of great young musicians. The gig will feature Brandon Sherman on trumpet, Derek Beach on bass, and John Shebalin on drumset. I will be premiering two brand new compositions penned for this group, a contrafact by Brandon, and two tunes from great altoists Charlie Parker and Ornette Coleman. Brandon is leaving town for New York in less than two weeks, so catch him while you can! We're playing one set only, and there is NO COVER, so come grab a drink and hear some brand new music by a brand new band.

Liquid Zoo
7214 Sepulveda Blvd.
Van Nuys, CA 91405
8:30-9:30pm

Osby and Turner

Hello again,

I'm back from a 5-day trip to Maui with my wife. It was a fantastic trip in a beautiful place, and I'm sure I'll be writing some music reflecting on my experiences. Fish, urchins, sea turtles, hiking, volcanoes, and tons of great food!

Youtubing this morning - I thought I would share a few videos and a few thoughts. First, check this one out: Franco Ambrosetti Sextet playing "Sidewinder" by Lee Morgan. Swiss trumpeter Franco Ambrosetti is sounding great here, and surrounds himself with a killing band: Greg Osby on alto, Mark Turner on tenor, Jason Moran on piano, Lonnie Plaxico on bass, and Billy Drummond on drums.

I want to focus on the former two sidemen, Osby and Turner. In my opinion, these are two of the most important saxophonists on the current scene. Both have an amazing technical mastery of the instrument and have developed personal, beautiful tones. Their approaches to improvising on the saxophone, however, are what I feel makes them such important figures in jazz today. Nobody else sounds like Greg Osby; he has found a way to filter the often angular melodic, rhythmic and harmonic content of 20th-century classical music through the jazz tradition. Like Eric Dolphy's playing, one can always hear a deep underpinning of "the blues" in Osby's improvisations, despite the far-reaching harmonic implications and often fragmented rhythmic phrasing. Similarly, Mark Turner's even-toned explorations hold a solid footing in the "feeling" of jazz, without using old material. Turner, a Tristano/Marsh/Konitz enthusiast, is a masterful architect, building an improvisation one step at a time and treating each note with care. His expansive range, balance of wide and close intervals, and extraoardinary use of space are unlike any other player.

I find it revealing and exciting to listen to these players in the context of jazz standards. While both of these saxophonists are notable composers as well, standards serve as a more immediate reference point to the listener and help us to more easily identify some of the players stylistic nuances. This is one reason I particularly enjoy the "Sidewinder" video posted above; listeners don't often get to hear Osby or Turner play this tune!

Here are a couple more examples of these masters playing standard tunes. Enjoy!

Greg Osby playing "Jitterbug Waltz"

Mark Turner playing "All The Things You Are"

Master!

Well, that's it.

I received my Master of Fine Arts Degree from Calarts yesterday, and school's out for the summer...and then some. I had an incredible time these past two years, meeting some of the most inspiring musicians and people, getting to play with them, talk to them, share ideas and experiences. I formed my trio, soon to put out my debut album as a leader, with fellow students at Calarts. I played with and learned from musical legends like Charlie Haden, Wadada Leo Smith, Joe LaBarbera, Darek Oles, Swapan Chaudhuri and Morton Subotnick. While perhaps not as notorious as the aforementioned musicians, every faculty member at Calarts with whom I interacted had a distinct and positive impact on me, something I am sure very few schools could have accomplished. If you have an opportunity to spend some time at Calarts, please do so; it is a haven for the arts and there really is no other place like it.

I'm ready for a bit of rest and recovery after a harrowing but productive two years, but also excited to get to work immediately and dive into my career with complete focus. I began to realize today how much I have been waiting for this time, when I can push forward and dedicate all of my energy to my art, life, and career.

Thank you to all who have helped me up to this point, whether you know it or not. And, especially thank you to my wonderful wife Ami and my truly supportive family.

Well, that's it - for this chapter. Forward, onward, upward and all the other -wards that I can get my hands on. Good night.